Shades-of-Lipstick.jpg
1274861_176175835904607_422450915_o.jpg
03_Shot.jpg
1274861_176175835904607_422450915_o.jpg
Shades-of-Lipstick.jpg

Adweek


Ideas at Work

SCROLL DOWN

Adweek


Ideas at Work

MichelleLee-MAG-2017.jpg

With Michelle Lee at the Helm, Allure Is Blowing Up How Our Culture Defines Beauty

Meet Adweek’s Editor of the Year

By Emma Bazilian

October 29, 2017

Michelle Lee recently made a groundbreaking proclamation that Allure would no longer use the term 'anti-aging.'

For generations, products promising to “turn back the clock” have been the bread and butter of the beauty industry. According to a study from Orbis Research, the global anti-aging market was worth $250 billion in 2016, while searching for the term “anti-aging” on Sephora’s website turns up 1,700 results, from the usual serums and creams to anti-aging shampoos, herbal supplements and silk pillowcases.

The fight against age is also a persistent topic in women’s media—especially glossy magazines like Condé Nast beauty bible Allure. Until now, that is.

Two months ago, the magazine’s editor Michelle Lee made a proclamation that, for a brand like Allure, was positively groundbreaking: the magazine would no longer use the term “anti-aging.” That message was trumpeted across that title’s September cover, which featured 72-year-old actress Helen Mirren, and in Lee’s editor’s letter, where she called on the industry to stop “reinforcing the message that aging is something we need to battle.”

That decision is emblematic of the refreshingly modern point of view that Lee brought to Allure when she joined the magazine in 2015.

Allure’s subscription beauty box has seen 40 percent growth in the past four months thanks to a revamped product strategy and new website.

“It’s really become a higher mission for us to truly redefine beauty,” she says. “I want us to look at the things that we’re doing and think about how they have larger consequences for society and for women, and for us to really challenge the antiquated way that women’s publishing used to do things.”

One of the many ways that Lee is helping Allure meet that goal is by bringing more diversity to the magazine’s pages—which, she makes sure to point out, isn’t just a talking point. “In media and elsewhere, I know ‘diversity’ is definitely a buzzword right now, but the thing that makes me the most proud of our diversity is that I truly do believe that it’s coming from a totally real and raw and authentic place,” she says, pointing to content like the magazine’s April cover feature, which featured 41 women of color sharing their candid thoughts on race, inclusion, politics and more.

And it’s not just ethnic diversity that Allure is spotlighting. “If we really do want to be inclusive and diverse with what we cover, it’s important that we don’t look at diversity in such a narrow way,” notes Lee. To that effect, she championed a new video series, Dispelling Beauty Myths, which features women talking about everything from body hair and weight to albinism and mastectomies, brought transgender activist Janet Mock onboard as a contributing editor, and put Muslim model Halima Aden on the cover of the July “American Beauty” issue, marking the first time that a woman in a hijab had ever been featured on the cover of a major American publication.

In July, Halima Aden became the first hijab-wearing model on a mainstream U.S. magazine cover.

While Lee admits that she wasn’t sure early on how Allure’s longtime fans would react to the brand’s shifting point of view—“People can be very allergic to change,” she says—the transformation has been a massive success with readers both old and new. As of August, Allure’s average monthly cross-platform audience had grown 30 percent year over year to 5.9 million, per MPA – The Association of Magazine Media. Its drastically redesigned website, led by digital editorial director Phillip Picardi (who also holds the same title at Teen Vogue), saw traffic increase 24 percent YOY in the third quarter, while video views are up more than 400 percent to 10 million from 1.6 million.

Lee is already setting the stage for more innovation in 2018, noting that she wants to bring the Allure brand to readers with more consumer-facing events, ecommerce integrations (in fact, she recently hired two new staffers to focus on ecommerce specifically) and personalized digital products (like the new Best of Beauty chatbot that lets readers get beauty recommendations from Allure editors).

As for that anti-anti-aging initiative, Lee is hopeful that Allure’s message will continue to reverberate throughout the beauty industry. “As with any massive change, it takes time, but we had an overwhelming number of brands telling us that in 2018, they want to hop onboard,” she says. “I think there’s going to be a tipping point.”

 

 

1274861_176175835904607_422450915_o.jpg

allure


allure


Allure's New Editor Talks Diversity, YouTube and Branded Content

Michelle Lee shares her vision for the beauty bible.  via Adweek February 2016 By Emma Bazilian

Specs
Current gig Editor in chief, Allure
Previous gig Editor in chief and CMO, Nylon Media
Twitter @heymichellelee
Age 40

Adweek: When you joined Allure last year, you replaced Linda Wells, its founding editor of 24 years. What was that transition like? 
Michelle Lee: I have such huge respect for Linda. She's an icon. I definitely think that when I came in, people were nervous, and I totally expected that and understood that. So over these past couple of months, it's been a big goal of mine to have total transparency, and I think that having that culture of "let's talk about stuff" has put people's minds at ease. But I also think that once people hear what the new vision is, it makes them feel good about things.

So what is your vision for the magazine? 
The million-dollar question! My big goal here was really refreshing the entire brand. I had been a huge fan of Allure, but looking at the past 25 years, beauty has changed so much with the Internet, with YouTube, with social media, with everything. What Allure has always been really great at is giving information, so I want to build on that and add a whole new level of inspiration. Visually, my big thing was that I wanted to see more people, more interesting women. I want to establish a look for us that still feels like Allure but is more approachable. Diversity is also very big for me. Growing up, I remember being really frustrated when I'd read about how to put on eyeshadow and think, "That doesn't really apply to me."

How does Allure.com compete digitally when there's so much content being created by bloggers and vloggers? 
I probably have this conversation about once a week. Where I think a lot of brands have gone wrong is to try to compete with YouTube. You can't compete with YouTube! It's a completely futile fight. What I do think is smarter, though, is to partner with them. We very actively are looking at different vloggers and influencers who we feel are on brand with us.

At Nylon, in addition to being editor in chief, you oversaw branded content as CMO. Do you have a hand in the business side at Allure? 
I'm personally very excited about branded content. It's a whole other way for editors to be able to flex their creative muscle. I always say to people, too, that as an editor, you want anything surrounding your own editorial content to be the best it possibly can be. If you're creating amazing content but there are terrible ads next to it, it makes everything look bad. So here at Allure, I'm not technically a marketing person, but because of my background, I like involving myself in that.

How has it been going from a small publication like Nylon to Condé Nast? 
I've been very fortunate in that I've gotten to work at all different sizes of companies. Working at a smaller company, I think that necessity breeds creativity. On the downside, at a smaller company, you don't have as many resources, so coming to Condé Nast has been amazing. At Nylon, I would wear 20 different hats; now it's like, "There's a department for that!" But even though we have these amazing resources, I sort of always feel like I'm in startup mode. I think that having that startup fire and that scrappiness has been a huge factor in my success in the past, and I don't want to lose that.

This story first appeared in the Feb. 22 issue of Adweek magazine. 

03_Shot.jpg

nylon


Evolving Brands

nylon


Evolving Brands

HOW NYLON'S NEW EDITOR IN CHIEF PLANS TO CHANGE THE BRAND

via Sept 2014 Fashionista.com

What is NYLON? Can you talk me through your vision for the magazine?

The word everyone uses to describe NYLON is "cool." It means different things to different people. I still think cool is a good way to define brand, but the word I really like is "rebellious." I've worked for other women's magazines — for ElleLucky — and all those magazines have a great voice. At the same time, NYLON should stand alone, it should have this rebellious spirit, every single page in the mag should look different than every other women's mag.

You have a background in content marketing. How will that experience come to play at Nylon?

Being a business owner gives you a different perspective on things — you start to look at everything, from budgets to revenue, and you start to look at how you can grow a brand in a lot different ways beyond content. I don't know many editor in chiefs who can say that. I've worked in digital, and I've worked in print. I do like to have my hands on things with the NYLON brand on it, even if it's not strictly editorial, is important to have in mind with message we want to put out [and that includes native ads].

 
1274861_176175835904607_422450915_o.jpg

branded content


Branded Content

branded content


Branded Content

As the Chief Content and Strategy Officer at Magnified Media, Michelle worked with globally recognized brands, helping them to craft stories and exciting campaigns about their brands. While there, she helped raise the social media profile of a major national skin care brand by 500% in one month and completely revamped the web site of a luxury cosmetics/skin care brand into a mobile-first, responsive, engaging experience.